The project is being developed on Minister’s Hill in Bridgton, Maine. Henge Lab uses principles of ancient geometry to reveal a fundamental synchronicity which reappears, not only in the external environment of Nature’s systems and structures, but also in features of human awareness. The project is rooted in the idea that patterns arising from the innate mechanisms of meaningful perception were unintentionally replicated in the signs of language and the modeling of information. The organizing principles underlying these patterns are found both in Nature and in the earliest artifacts of the emergence of the symbolic mind.

The Idea for Henge Lab Evolved from Previous Works in an Ongoing Exploration:


Image from a 1989 installation titled “ILLUMINATIONS” (Curious Visions, New York) Slides of standing stones are projected on a circular arrangement of aligned paper-screens of gouache-painted ‘word-images’ (the stones were photographed earlier that year at various Megalithic sites in the Brittany Region of France).


Several works involving standing stones were developed using photographs taken at actual Megalithic sites. Past works based on linear alignments of stones and circular henges are part of an ongoing exploration of structural relationships between: language, symbolic phenomena, and the mechanisms of perception. Early artifacts of the emergence of the symbolic mind have a design which is similar to the intuitively formulated patterns underlying the signs of language.

In the early 80’s, the exploration focused solely on the imagery and implications of word-generated forms (spelled-forms) but it gradually expanded to include a variety of symbolic phenomena. The word-generated forms, which reveal an unexpected patterning in the letter-sequencing of the spelling of words, are still the primary focus.


The spelled-form of the word ‘CURLED’ is shown with a shell-bead adornment which is over 100,000 years old (the bead’s discovery indicates that modern language is much older than previously thought—adornments are evidence of culture, culture requires language). The spelled-form of the word ‘EDGE’ is shown with a stone axe and its edge-detail. (From “The Book Book of Spells” 2014: Special Collections, Haas Art Library, Yale University)


Details of “SUBTEXT” (an outdoor installation at Havemeyer Park in Williamsburg, Brooklyn presented by Tipi Project, May-September, 2014). The work explores connections between modern language and early artifacts of the emergence of the symbolic mind. The installation is comprised of engraved stones, shell-beads, earth pigments and outdoor signage illustrating the mapping of the word-generated forms.


Many historical illustrations of basic concepts are modeled on circular arrangements of points. The hour and minute markings on the face of a clock and the directional markings on the dial of a compass illustrate our perception of time and space (these and other concepts depicted using circular forms are explored in relation to thought and language in the book, Extreme Measures 1989). A henge is fundamentally a monumental circle of points aligned to astronomical events. A Megalithic circle of stones is an archetypal depiction of how the patterning of human awareness is inherently synchronized with the patterning of the physical universe. A gallery installation which used stones to represent the letter-points of the alphabetic configuration was presented in 2006 (image below).


“ALIGNMENTS” 2006, detail of an Installation at Galeria AT, Academy of Fine Art, Poznan, Poland (the spelled-form of the word ‘IDEA,’ which is the same in Polish and English, was inscribed in the circle of alphabetic stones)


Henge Lab represents the culmination of a lifelong (37 year) exploration of the patterning of the signs and systems of human communication, and their relationship to various phenomena of Nature which employ these same principles of patterning. For more information, visit: MichaelWinklerArt.com and read the articles, “Poetry of Zebras”“New discoveries should reopen the discussion of signs”

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